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NFL Network, RedZone Channel – SOLD!

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NEW YORK – (Staff and Wire Service Report) – Will the ghost of John Facenda please report to the SportsCenter set in Bristol?

You’ve been sold.

Government regulators approved ESPN’s acquisition of NFL Network, linear rights to the NFL RedZone Channel and other league media assets in exchange for a 10% equity stake in ESPN, the NFL and ESPN announced late Saturday night.

The blockbuster deal was formally announced last August pending reviews by the Justice Department and other non-US antitrust authorities, which are now complete.

“With the closing, we will begin integrating NFL employees into ESPN in the months ahead,” ESPN and the NFL said in a joint statement. “As we look to the future, NFL fans can look forward to expanded NFL programming, greater access to NFL Network, innovative Fantasy experiences and unparalleled coverage of America’s most popular sport.”

The deal will bring major NFL media properties under the Disney-owned network and expand ESPN’s football offerings across both traditional and streaming platforms.

The National Football League gave up 100% ownership of the NFL Network for 10% of ESPN, which is valued in billions of dollars.

Under the agreement, NFL Network and RedZone will be integrated into ESPN’s upcoming direct-to-consumer streaming service while remaining available via cable and satellite. The RedZone brand could translate to a similar offering in other sports to which ESPN has broadcast rights.

NFL Fantasy will merge with ESPN Fantasy, creating the official season-long fantasy platform of the league.

As part of a second agreement between the sides, ESPN will also gain rights to license three additional NFL games per season for 28 total. Seven of those games will be broadcast on NFL Network — these three new ones and four that will shift from ESPN to NFL Network. The NFL doubleheaders on Monday nights will cease, while NFL Network again will have four international games for a total of seven games each season.

The merger does not impact coverage of Super Bowl LX next week, with viewers unlikely to see changes until April at the earliest, when NFL Media employees become part of ESPN.

The NFL will retain ownership of key properties including NFL Films, NFL+, NFL.com and the NFL Podcast Network, and will continue producing and distributing the digital version of RedZone independently

–Field Level Media

TL’s Sunday Notes | December 14

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By TERRY LYONS, Editor of Digital Sports Desk

PROVIDENCE – The date was October 12, 1989 and the assignment was to be a one-man, one day advance team for the NBA as the Orlando Magic were to play their first game ever the following day. NBA Commissioner David Stern was in route to attend the game and, as always, Stern was willing and very able to do as many interviews as possible, TV one-on-ones, small group gatherings with the local assembled print media in the pressroom – you name it, he’d do it.

David was “an ace in the hole” for his “crack” PR staff and I was ready to run him through the gauntlet at Orlando’s brand-spanking new O-Rena. It was great.

With a bit of local intel from the Magic’s terrific PR staff (Alex Martins), a schedule was drawn up to catch as many of the local TV broadcasts as time would allow. The stations worked together – a bit – to slide live drop-ins and share in the wealth.

I don’t think Stuart Scott knew all of that as he was working at WRAL-TV in Raleigh at the time. But, he was soon to be on our radar.

Stern did his duty and the Orlando Magic won the game. A terrific start for the NBA expansion team – one of four that came into the league – alphabetically – in 1988 and 1989. Charlotte and Miami in 1988 and Minnesota and Orlando in 1989. We made the rounds for all four cities, a two-man NBA traveling band over many of the years as the NBA began to stretch its legs in terms of media coverage and worldwide popularity.

Just a few years later, it was Earvin “Magic” Johnson on center stage as the 1992 NBA All-Star Weekend was scheduled to be played in Orlando and for the second year, I was named to run point for our growing PR department by NBA PR guru Brian McIntyre, the guy with Bunn Award Hall of Fame skills. In an attempt to set a huge stage for Magic and the Magic organization, we all combined with the NBA events and attractions group to stage an incredible weekend.

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There were countless planning trips down to Orlando – all with flights packed with kids, sometimes tots, all anxious and excited to visit Disney World. For those flights, the Bose (noise-cancelling) headphones and plenty of Led Zeppelin and Pink Floyd were packed to counter the crying and carrying on for little ones with altitude adjustment issues and painful ears. I felt for them, but there’s no child who can out-scream “Kashmir” or “When the Levee Breaks.”

The more trips, the more I noticed a WESH-TV 2’s sports reporter. Yes, Stuart Scott had moved to Orlando for a better gig on the WESH-TV news team, and he was good. He stood out amongst the relatively small media mass of Orlando, one where a guy named Christopher Russo had yet to go canine.

Leading up to the All-Star Weekend, I asked Stuart if he needed anything “special,” and more or less opened the door for any request. Earvin could only do the main podium interviews, and he was his usual amazing self, but I had the keys to Commissioner Stern’s busy schedule, and, aside from the obvious NBC Sports requests, in my eyes after observing Stuart over months of reports, the young reporter out of North Carolina had earned a little extra – call it, ‘treat him like family,’ love and an audience with Stern. That was a considerable “get” for a local broadcaster.

There’s no great punchline to this intro. Stuart Scott had earned the respect of all of the Magic players and their opponents, and his talent was noticeable to anyone who watched him work. He had yet to coin the phrase, “Cool as the other side of the pillow,” but that’s what he was – every single night. He was just a pleasure to work with and he generally appreciated the give-and-take. And, that’s the way we rolled for quite a long time. We worked at many an NBA game, and even in London where the Magic played the Atlanta Hawks at the very first NBA London Games (1993). Stuart and Shaquille O’Neal – the NBA Rookie of the Year in ‘92-93 – had developed quite a nice relationship. Shaq seemed to enjoy his time with Stuart, rather than think of it as work.

Stuart eventually became, “Stu,” to most of us, and he advanced his career by accepting a job with ESPN where he was among the opening night newscasters on ESPN2, the mothership’s attempt to be “cool.” It quickly became obvious, with Keith Olbermann on-set and on-air in a goofy leather jacket, and at that point in time, “Stu” was the only thing “cool” about ESPN2.

Scott was eventually promoted to the “A” team at ESPN and there he was hosting the main newscast at the NBA Finals. He had developed a rapport with so many of the rank and file NBA players, it was never difficult to coordinate an interview as the players liked him and enjoyed his rock solid style of conducting business. It was a joy to be a small part of as Stuart truly commanded the NBA airwaves. It seemed like Stuart Scott was growing up with the NBA, with pro basketball in Central Florida and, then, with a national following of sports fans.

To take a rather corny line from Forrest Gump, Stu and the NBA were like peas and carrots. Then – just like Forrest’s Jenny – the roof caved in and we heard the news of Stu’s battle vs. cancer.

It was a body-check in the gut, and it knocked the air right out of our bodies, minds and spirits. It wasn’t fair.

It never is.

Time moved along, just as it did for our other NBA Family insider – TNT’s Craig Sager – and both Stu and Sager courageously battled cancer and are now etched in our psyche with their mind-blowing, tremendous, courageous speeches at the ESPYs.

That brings us to the “Boo-yah,” A Portrait of Stuart Scott – a must watch documentary available on the ESPN app. In addition to extensive interviews with Stuart’s surviving family and his pillars – his daughters – there is quite a bit of entertaining original footage coming in the “never seen before” fashion.

Film producer Andre Gaines told The Hollywood Reporter he had “easily” 400 to 500 hours of footage to use for his ESPN 30 for 30 installment, much of which Scott shot himself … of himself.

That includes what became Gaines’ poetic documentary ending scene, first dug out of the archives by the documentary’s producer Ryan Lohuis. I will not spoil its impact.

Boston Bruins’ Winter Classic team sweater (Courtesy Boston Bruins)

HERE NOW, THE NOTES: Who needs another retro/alternate team uniform? Raise your hands. Anyone?

“Through multiple Winter Classics and of course our club’s 100th anniversary, we’ve done a lot of retro and vintage style jerseys, but Stadium Series presented an opportunity to do something really unique,” said Boston Bruins President Cam Neely. “We’re introducing a new team uniform that combines Bruins toughness and snarl with some really dialed up components and coloring. These sweaters are going to look great under the Sunday night lights.”

The Bruins’ Winter Classic jerseys feature a variety of new brand marks and design elements:

Sunshine Motif: In addition to the primary gold color, the jersey features debossed sun rays on the sleeves and on the hem loop label, which also features “BOS” – Boston’s airport code – a nod to the road warriors. (Who knew #1)?

Football-Inspired: The main “Boston” wordmark on the front of the jersey is akin to the New England Patriots styling, an intentional nod to the game being hosted in an NFL football stadium, and features a lock-up treatment with the Bruins’ crawling bear logo. The crawling bear – traditionally a secondary brand asset – is bigger and more prominent for the Stadium Series. (Who knew #2)?

Bear Claw Slash: One side shoulder features a new secondary mark, an iconic varsity B with a bear claw slash to signifying the grit and toughness that have been synonymous with Bruins hockey for more than 100 years. The slash graphic element appears throughout the uniform, including on the jersey, helmet, and pants. (Who knew #3)?

Love For New England: The inside neck collar features the abbreviations of the six New England states as a reminder that the Bruins are proud to represent their region no matter where they play. (Who Knew #4)?

That’s four “Who Knews,” a new Winter Classic record.

TIDBITS & NUGGETS: The FIFA World Cup draw took place a couple of weeks ago and, as the ping-pong balls fell, it brought New England one of the highly anticipated matches with Norway vs. France. Norway’s team is an up and coming world competitor with striker Erling Haaland leading the Norwegian football team. Haaland is considered one of the top players in the world. He plays for Manchester City in the English Premier League and is celebrated for his exceptional goal-scoring ability to allow Norway to make their first major tournament appearance since 2000.

They’ll face France, considered to be one of the favorites to lift the coveted World Cup trophy, especially after their strong performance in the preceding tournaments. They exhibit a powerful blend of experienced players and exciting young talent, making them a formidable contender.

France won in 2018 and finished as a 2022 finalist. Les Bleus will be a serious contender yet again with its treasure trove of talent. Superstar forward Kylian Mbappe is entering his prime and Ousmane Dembele just won the Ballon d’Or. Other star options in attack are Desire Doue, Michael Olise, Bradley Barcola and Rayan Cherki.

Now, the bad news: An early inquiry into purchasing tickets for the big FRA vs NOR game resulted in some astronomical prices. A single ticket was listed at $2,158 (by tournament sponsor VISA) in a promotion which included a few bells and whistles (VIP stuff). A pair for the FRA vs NOR game? $6,700 bucks, and I’m not sure that includes parking fees at “Boston Stadium,” as they scrubbed Gillette right off the marquee.

Somehow, the tickets will sell. But, who can afford them?

THIS JEST IN: You might celebrate Christmas. Then there’s Festivus – the George Costanza/Seinfeld publicized “Festivus for the Rest of Us.” And, now for the Rock ‘n Rollers. there’s “Goosemas.”

Goose the Band (Google it, if you haven’t heard of them) plays back-to-back concerts on an annual basis and has tagged them as “Goosemas.” It’s a bit of a goof for a band that prides itself on not taking themselves too seriously but over the past for or five years has established themselves at the No. 1 Jam Band on the circuit.

While Jam Band sort of catches all aspects of the music, Goose is very hard to categorize. They were originally tagged as Indie Rock and they self-describe the band as “Indie Groove,” they’ve evolved into pure musical and theatrical mastery. The band hails from Wilton, Connecticut, and they formed in 2014. Theyve had some line-up changes over the years but solidified under the three original members in guitarist and vocalist superb, Rick Mitarotonda, while keyboardist and vocalist Peter Anspach keeps up the rapport with the growing fan base (sometimes referred to as “Creatures.” Bass player Trevor Weekz (often spelled Weeks and he went with a WEEKS New York Rangers jersey when at The Garden) holds down the sound nearly as well as The Who’s late bass man John Entwistle who is sometimes considered the all-time best. Like Entwisle, Weekz plants himself on stage and barely moves any part of his lower body while working magic with his hands and bass guitar, usually a Elrick Gold Series bolt-on 5-string or his Modulus Quantum 5-string; Godin A5 fretless 5-string; ’70s Fender Jazz Bass; or maybe an Elrick Master Series 35”- scale, single cutaway 5-string; or the patented and go-to Fender Tony Franklin Fretless Precision Bass after graduating from his first bass guitar – a used, Japanese-made Fender Jazz Bass with EMG pickups. Drummer Cotter Ellis plays a non-stop back beat making everyone wonder how he doesn’t simply tire out. Mitarotonda and Anspach handle most of the song-writing.

Goosemas 2025 at Providence (Photo by T. Peter Lyons)

While Goose has now played sellout shows at Radio City Music Hall, Red Rocks in Colorado and Madison Square Garden in New York amongst all the other great venues, this veteran Goose fan (tipped off years ago by my Phish-loving neighbor) sees a band constantly evolving, constantly creating, constantly improving and finding a new niche that attracts fans of all genres and all ages.

Mitarotonda’s guitar playing has mesmerized all of his fans, while his voice remains so rock solid. It’s hard not to go too far with comparisons, so I won’t, but Mitarotonda has the whole package of guitar chops, the solid voice and exquisite song writing skills. He stands center stage and commands his audience in a smooth, natural way – simply being his cool self – nothing more, nothing less. Mitarotonda is the superstar of this band and he was born to be a musical legend.

Goosemas 2025 (night one) was incredible, almost indescribable, but I’ll try. Tagged as “Barnaby Glimpse’s Show Upon Time: A Phantom Menagerie” which was fictionally staged in the year 1734, the theatrics conjured up the craziest nights of New Orleans’ Mardi Gras mixed with a real menagerie of dancing creatures, hundreds of balloons and inflatable objects, all bouncing around a Providence venue (Amica Mutual Pavillion … the AMP) that must have a new high for an electric/power bill today. All the theatrics were backed by incredible guitar, bass and drum-driven “grooves” that made the buildings’ floor look like it was a giant waterbed moving up and down with two or three thousand fans packed together for one giant dance-off in one giant dance hall. Goose was fabulous.

During the early stages of Friday night’s show, Goose debuted Pink Floyd’s “Pigs (Three Different Ones)” as a first-time cover, featuring Ellis on lead vocals and adding Stuart Bogie on woodwinds during their first set. Bogie’s sax playing was a wonderful addition to the band.

The show closed as Ellis subtly exited the stage, soon to be followed by Weekz which allowed Mitarotonda and Anspach a finely lit stage to deliver their debut cover version of Neil Young’s “Sugar Mountain.”

Anspach exited, leaving only a lone vocalist and guitarist in Mitarotonda who upon hitting the last note, slowly walked over to the Ghostlight on stage and turned it off.

What a finish.

Stunning.

EDITOR’S NOTE: At approximately 4:13pm on Saturday, there was a mass shooting on the campus of Brown University in Providence, where this column originated from on Friday. Police and authorities are reporting two fatalities and multiple people (at least eight) injured and in critical condition.

In hindsight, and looking back about 24 hours, the joy of life during a peaceful weekend and attending an entertaining rock show turns to helpless feelings of sympathy for the families of the victims, some possibly not even notified as of this writing from nearby Boston on Saturday evening.

Brown is such a wonderful school and the City of Providence a gem amongst East Coast small towns. May God Bless the victims of this senseless crime with hope police, FBI and first responders quickly apprehend the perpetrator of this crime.

TL’s Sunday Sports Notes | Aug. 24

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While We’re Young (Ideas) on the Worldwide Leader/D.T.C.

By TERRY LYONS, Editor of Digital Sports Desk

“Friends, Roman Anthony, countrymen, lend me your ears;

I come not to bury ESPN, but to praise it.

But, the evil that TV types do, lives long after them;

The good is oft interred with their bones in the vast, growing cemetery that are the aging trends of sports, technology and television”

BRISTOL – We are in the age of constantly changing and ever evolving technology. Our iPhones number 16. Our Chicago (Transit Authority) albums have unpleasantly reached Chicago XXXVIII (38). The iPhones have improved over the years. Not so much for Chicago.

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Change is good, but often, change is difficult.

Take the launch of ESPN’s direct-to-consumer (DTC) offerings unveiled this week; the product is good but the pre-launch instructions to the consumer (we call ‘em fans) was not so good.

Case in point: The new and improved ESPN launched just as the PGA Tour was ready to tee-off its Super Bowl Weekend – a la the TOUR Championship at East Lake Golf Club in Atlanta. For you non-Tour fans, pro golf’s season draws to a close with the annual FedEx Cup Playoffs. This year, 70 golfers qualified and played the FedEx St. Jude Championship three weekends ago. Fifty golfers moved on to last week’s BMW Championship and only the Top 30 PGA Tour pros qualified for the TOUR Championship (held this Thursday through Sunday).

For those of us who follow the TOUR in religious fashion (see PGATourBrunch.com), we purchased ESPN+ to watch the early rounds each week from January to September with full coverage, especially in the 6am-2:00pm range before Golf Channel airs its excellent coverage. ESPN/Disney bought what used to be known as PGA Tour Live and transitioned it to the paywalled ESPN+ platform.

When the editors of PGATourBrunch woke up on Thursday, we had no idea if ESPN’s new app was going to automatically recognize those who had purchased ESPN+. It certainly wasn’t made clear (by communication or call-outs from the ESPN.com site) whether our hefty payment(s) for add ons, or sports tiers with our Cable TV provider would qualify us for the new ESPN App unlimited levels of coverage.

Those levels of coverage are:

  • Disney+, HULU, ESPN Unlimited Bundle ($29.99 a month)
  • ESPN Unlimited ($29.99 a month)
  • ESPN’s Unlimited plan subscribers have access to all ESPN networks and services, including ESPN, ESPN2, ESPNU, ESPNEWS, ESPN Deportes, SECN, ACCN, ESPN+, ESPN on ABC, SECN+, ACCNX, and ESPN3.
  • ESPN Select includes ESPN+ content only. Fans who want ESPN+ exclusively may subscribe to the ESPN Select plan.
  • All of these details were hard to find and not on the home page to subscribe or log-in if you already have a Cable TV provider, such as Verizon FIOS)

Now, it really gets confusing:

If you’re changing from the Select plan to the Unlimited plan, the change takes effect immediately. You will be charged a pro-rated amount for the first month or year of your new plan. Moving forward, you will remain on your new plan for the life of your subscription and will be charged in accordance with the then applicable price of this plan. If you’re changing to the Select plan, the change takes effect on your next billing date.
Note: Once you’ve been charged for an annual plan, you will not be able to immediately change to monthly billing for the same plan.

Now, let’s dig-in some more:

Hulu + Live TV, DIRECTV (streaming only), Fubo TV, and Spectrum TV customers may already get ESPN Unlimited as part of their pay-TV package. You will need to activate your ESPN plan and connect your MyDisney login. To activate your ESPN plan or to learn more, please visit the links below. Keep in mind that if you cancel or switch out of an eligible TV provider plan, your ESPN subscription will also be canceled in accordance with your provider’s terms, conditions, and policies.
So, let’s get that straight: If you already have Hulu+ Live, then you already get ESPN Unlimited but you need to activate an ESPN Plan by connecting to MyDisney.

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Got it? It’s almost as tough as ‘Person, woman, man, camera, TV.’

If you own a business (a la Sports Bar), it is rather simple but still very expensive.

There is no change to the “ESPN+ for Business” product.
Now, what if you’re a subscriber to Verizon FIOS and you’ve paid a steep price for their Sports Tier?

They have:

  • The MOST Fios TV: 425 channels at $139 a month
  • More Fios TV: 325 channels at $119 a month
  • Fios TV Test Drive: Watch for 60 days and they’ll recommend best plan ($95)
  • YouTube TV: 100+ channels, usually $82.99 but on sale for $72.99 for new subscribers for one year (and, if you ask, they’ll toss in the NFL Sunday Ticket).
  • Sports Packages can be ordered semi-a la carte (but on the Verizon page, they do not tell you how much each channel costs, so you have to click Order Now and go into the rabbit hole of signing in, username and password, verifying and sending in your first born child as collateral:
  • NBA TV
  • NHL Center Ice (wow, ICE has a whole new meaning these days, doesn’t it?)
  • MLB Extra Innings
  • MLB TV Premium
  • FOX Soccer Plus (as opposed to +)
  • NFL RedZone (recently purchased by ESPN, and I have no idea whether it’s going to be on my system/service tier and will only find out on Sunday, September 7th at 1:00pm – when there’s a chance for “seven hours of commercial free, un-interrupted football.”
  • Looking back this past week, the ESPN home page was amazingly unchanged, except for the fact my little ESPN+ call-out on the top of my home page was gone. Aside from that, there was no indication that anything was changed or updated. No instructions. No nothing.

I did see the word – Verizon – in the upper right hand corner of the ESPN home page, and I thought that was good. It was there from a previous log-in – (see above with name/pass/first born child).

That was good for my Chrome browser which had been previously used for ESPN+’s PGA TOUR coverage for the BMW the week before. My Safari Browser? – No. My quite popular DuckDuckGo browser? – Nope. And, Firefox? – Nada.

Let’s dig a little deeper and step aside from the new ESPN DTC streaming to see how to stack your sports viewing needs:

  • Peacock Network – If I want to watch English Premier League and the Olympics
  • Paramount+ – If you want to watch English Championship, Leagues One & Two
  • Apple TV+ – If I want to watch MLB Friday Night – including the hometown team
  • Apple TV+ – If you want to watch MLS Futbol
  • ESPN+ (or new service) – If you like Premier Lacrosse
  • Paramount+ or DAZN – If you like Serie A futbol
  • YouTube TV – If you want the NFL’s Sunday Ticket
  • UFC Fight Pass – UFC Fight Pass and soon on ESPN’s new service
  • UFC 319 – Pay-per-View via ESPN+
  • FOX ONE – Some UEFA offerings; LIV Golf; some NASCAR and IndyCar

Suffice to say: It’s all a damn mess, and it seems to be getting messier by the day.

To fix it? That’s a tough question unless you’re in the room where it’s been happening for the last few years. The rights acquisitions and overall planning has been plentiful, but the basic instructions and a “What to Expect” section online would’ve helped this week.

Yes, there are lists of the FAQs (Frequently Asked Questions), but the question most sports fans were asking was, “What the hell are you guys doing?”

ESPN, to its credit, is attempting to place everything it offers under one roof. In other words, “ESPN is going anywhere sports fans are,” according to ESPN head honcho Jimmy Pitaro.

That was the strategy employed by the NBA under the late Commissioner David Stern and it still remains true today, under Commissioner Adam Silver. Go where the fans are and be ubiquitous in terms of offerings via every platform on earth. That strategy is a must for every broadcaster and sports property.

ESPN is blending the lines between rights holder/broadcaster and rights seller/sports property. In recent times, ESPN (Disney) has bought out PGA Tour Live, Major League Baseball Advanced Media (MLBAM), aka BAMTech, NFL Network and RedZone, the Atlantic Coast Conference (ACC Net), Southeast Conference (SEC Network) while FOX Sports has a piece of the Big Ten Network, among others.

The more the lines are blurred, the more expensive the platforms will become for sports fans.

Yes, the leagues and networks will go where sports fans are, but they’ll charge them a fortune to gain admission to the party. And, standing outside, listening to the party on radio is nice, a throwback, but it’s not as much fun.

HERE NOW, THE NOTES: There’s been quite a bit of bickering and arguing about the recent $325m bid by Steve Pagliuca (former Celtics minority owner) to bring the WNBA’s Connecticut Sun to play at TD Boston Garden in 2027. Pagliuca promised to build a $100m “State of the Art” practice facility for the WNBA team, as well.

The offer was leaked to the Boston Globe and positioned as if it were a “done deal.” Wow, $325 million to relocate a team while WNBA expansion teams were going for a cool $250 million

Boston rejoiced. The WNBA fans, some who trekked to beautiful Uncasville, Connecticut to see the Sun play at the Mohegan Sun’s wonderful arena – adjacent to a beautiful casino resort, all applauded the effort of Pagliuca. Those fans had just convened as a sellout crowd at TD Garden on July 15th for a Caitlin Clark-less Indiana Fever 85-77 win over the Sun. A year ago was much the same for a Sun vs Los Angeles Sparks game that made fans think of Sam Jones vs. Jerry West or Paul Pierce vs. Kobe Bryant.

Sellouts are great, especially when you only have to sell out one game of an entire season.

But, that’s not the point.

Massachusetts Governor Maura Healey took the leaked bait hook, line, and sinker. The Guv’nah attended the Sun vs Fever game and was championing Boston’s loyal support of women’s sports, calling for Boston to get a WNBA team as soon as possible.

There was a catch that Healey seemed to either ignore or not even be aware of: Boston hadn’t even applied to the WNBA for an expansion franchise. The WNBA was on an expansion quest, awarding teams to the Bay Area’s Golden State (Valkyries) playing now, in 2025, the Portland (Fire) and Toronto (Tempo) to begin play in 2026, and future expansion to three cities with new teams in Cleveland, Detroit, and Philadelphia. The Cleveland team will begin play in 2028, followed by Detroit in 2029, and Philadelphia in 2030.

It’s a full-scale WNBA nationwide roll-out, carefully planned, and not encouraging relocation of a franchise as part of the plan.

That means the WNBA’s Connecticut Sun are in a bit of a bind, since their own arena is the home venue. A sale of the franchise is one thing, but relocating it goes under a whole other set of league rules, even with a $325m offer on the table.

Another suitor, Marc Lasry, sought a similar deal but to simply drive down New England’s I-91, I-95, or I-84 corridors to Hartford to play home games at the vaunted XL Center. The Mohegan Tribe liked Pagliuca’s green better than Lasry’s and stood aside as the false alarm announcement was leaked. The WNBA slapped some ears of those involved:

“Relocation decisions are made by the WNBA Board of Governors and not by individual teams,” the WNBA said in a statement to the Globe’s Gary Washburn. “As part of our most recent expansion process, in which three new franchises were awarded to Cleveland, Detroit and Philadelphia on June 30, 2025, nine additional cities also applied for WNBA teams and remain under active consideration. No groups from Boston applied for a team at that time and those other cities remain under consideration based on the extensive work they did as part of the expansion process and currently have priority over Boston. Celtics’ prospective owner Bill Chisholm has also reached out to the league office and asked that Boston receive strong consideration for a WNBA franchise at the appropriate time.”

While Boston media and the Guv’nah hemmed and hawed about Boston being a great city for sports, about the relationship of the WNBA with the NBA, and even Governor Healey going as far as trying to broker a new deal between brand new franchise owner Bill Chisolm (just closed on the $6.1 billion deal) and Pagliuca, everyone in the room seemed to miss a major elephant in that room.

The venue.

Would the WNBA want to place a franchise in a place where the arena is owned by a hockey team, i.e. Delaware North – much like the unfortunate deal the Celtics have been operating under for decades of championships? Would the WNBA award a franchise that might be forced to play at Boston University’s Agganis Arena – light on premium hospitality, suites, parking and all the money-makers of sports property ownership? Might Boston College’s Conte Forum be an option? See the same problems.

Nope.

And, while extending the discussion on a slight tangent, let’s keep in mind that Boston totally punted on a 2014 bid for the 2024 Summer Olympics – a bid the USOC accepted and put forth to the IOC, only to revoke and place Los Angeles’ successful bid for the 2028 Summer Olympics in its place. A major mistake on the world sports scene.

By the way, the Commonwealth of Massachusetts also botched a D-League franchise. Who can forget the 2009 Springfield Armor, banished in 2014 to become the Grand Rapids Drive (and Gold). Another D-League (now G-League) team – the Maine Red Claws – crawled to Portland, Maine rather than navigate the Worcester DCU Center.

For baseball? The City of Worcester reportedly footed 55% of $159 million Polar Park as part of a $240 million redevelopment of Worcester’s Kelley Square and Canal District. That’s $87,450,000 for those scoring at home. It’s not like Governor Healey was ready to commit to building a new venue for the Setting Sun.

If that’s not enough past history proof, how about the fact the great and powerful NFL Oz, Bob Kraft and his New England Patriots, threatened to move to Hartford before settling on building Gillette Stadium out in the middle of nowhere, Massachusetts (Foxboro).

And lastly, Kraft and his mayoral candidate son, Josh, are hammering current Boston Mayor Michele Wu over squashed plans to build a 25,000 seat stadium in Everett, Mass. – not far from the Encore (Wynn) Casino campus. Wu, in turn, championed a refurbishment of White Stadium in Boston’s Franklin Park at a reported cost of $172 million. That venue would become the home of a NWSL expansion franchise for women’s soccer as the Boston Legacy FC plans to open up shop in 2026.

With all the building, the lack of engagement by Massachusetts or Boston for a new basketball venue is notable and should not be overlooked in the WNBA discussions. Boston Garden/Shawmut Center/Fleet Center/TD Garden was built in 1993-95 and is now one of the oldest arenas in the land. It has next to no parking, and – again, is owned by the Bruins’ parent, Delaware North. Despite massive renovations in 2006-07 and again in 2021-22, the building is nowhere close to the new $1.4 billion Chase Center in San Francisco, now the model for mixed-use arenas and home of the WNBA’s Valkyries.

For Boston and the Honorable WNBA fan and former Harvard point guard Guv’nah, let’s not point fingers at the WNBA and NBA before looking in the very mirror of sports venues aging in the Commonwealth.

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Ron Turcotte riding Secretariat at the ‘73 Belmont Stakes (file photo)

THIS JEST IN: So sadly, we lost legendary jockey and horseman Ron Turcotte this week. It’s been stated by WWYI that Turcotte and his ride, the great Secretariat, are the first part of the two answer question to: “When was perfection reached in the upper echelon of sports?” … Secretariat’s run at The Belmont Stakes (1973) and Don Larsen’s perfect game in the 1956 World Series are the only times true perfection was reached. (And, no, a 300 game in Bowling doesn’t count).

Turcotte passed away Friday in Drummond, New Brunswick. He was 84.

YOU CAN’T MAKE IT UP: “We have to reschedule because there’s an Osprey nest in our stadium. You can’t make this type of stuff up, right,” asked Cory Hanson, the athletic director at the school in the Minneapolis suburbs? … Seems the majestic Ospreys built a huge nest to raise their chicks, high up on a light pole at the Apple Valley High School football field. Because of it, the migratory raptors that are protected under State and Federal law, forced the school, known as the Eagles, to rearrange their football and soccer schedules, switching to day games instead of night. Turning on the hot stadium lights might burn the birds or start a fire. Maybe the school might consider a rename to the Apple Valley Ospreys?

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TIDBITS & NUGGETS: The PGA TOUR’s finale, the TOUR Championship will conclude today (Sunday) at East Lake Golf Club in Atlanta. There’s a crowded leaderboard competing for the $40 million purse/$10 million prize to the winner of the Tour’s most lucrative tournament. Weather wreaked a bit of havoc during Friday’s round and some stiff winds hindered play on Saturday. England’s Tommy Fleetwood, who’s been waving the hottest of sticks during the FedEx Cup Playoffs, has a chance to capture $10mil and the FedEx Cup for 2025.

KEEGAN: United States Ryder Cup captain, Keegan Bradley, of St. John’s University by way of New England, will name the remaining players for his 2025 team on Wednesday. The Ryder Cup “Captain’s Picks” will be a tough choice. A can’t win unless you win choice. “I know this is the biggest decision of my life,” said Bradley at the TOUR Championship, of which he qualified as one of the Top 30 players on the tour. On Saturday, Bradley was climbing the leaderboard and he’s a legitimate choice to be a Captain’s pick, himself.

“I think we have to get together as captain and vice-captains and look at the data, look at what’s going on and make a decision based on what’s best for the team. So that certainly feels nice to me,” said Bradley, a member of the Boston Common TGL Team. “But when we look at me as a player… we look at the stats, we look at everything, and I’m Player X, basically. Certainly strange, but I’ve wanted them to, if there’s negatives about me playing, I want to hear those things. I would be more upset if they didn’t express those feelings,” he said.

Note: We’ll have more on Keegan Bradley, his aunt, Pat Bradley, and the LPGA next week.

BROWNS: The 2025 NFL schedule maker was not too kind to the Cleveland Browns. Consider the first six games on Cleveland’s schedule this year:

  • September 7 vs Cincinnati
  • September 14 at Baltimore
  • September 21 vs Green Bay
  • September 28 at Detroit
  • October 5 vs Minnesota
  • October 12 at Pittsburgh

That’s 0-6, thank you very much, NFL. A glimmer of light might shine on October 19th, vs. Miami, the first day the Browns might have a chance for a “Dub” and that’ll open a three-game stretch (at New England and at New York Jets) when Cleveland might put a few wins on the ledger.

Sports TV Biz: ESPN Extends Orlovsky

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BRISTOL – (Wire Service Report) – Dan Orlovsky, who has served as an NFL analyst with ESPN since 2018, has agreed to terms on a long-term contract, Front Office Sports reported.

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Per the report, the former NFL quarterback will remain as a game analyst for the second-string team on “Monday Night Football” with Chris Fowler, Louis Riddick and Laura Rutledge. Orlovsky, 41, will also continue to appear on “NFL Live,” “SportsCenter,” “Get Up” and “First Take.”

Orlovsky’s new contract is not final but he is apparently “at the 1-yard line” with the network, per the report.

Before the holiday weekend, the former Detroit Lions QB posted a picture on social media toasting himself and on his Instagram story, he wrote, “Here’s to what’s next.”

He wrote on his X account on Monday: “Gotta keep working. Gotta keep proving yourself. Gotta stay hungry. It’s always the journey.”

Orlovsky, whose NFL career began in 2005 and lasted until 2017, is a popular figure at ESPN who has apparently shown interest in becoming a coach in the NFL.

“Dan’s been talking to some teams and seeing if there’s something that interests him and is worthwhile for him,” ESPN NFL insider Adam Schefter told Pat McAfee in an interview.

In February, Front Office Sports reported that Orlovsky was “exploring his options” regarding potential free agency. Last month, it was reported by The Athletic that Orlovsky would likely return to ESPN.

ESPN declined to comment on Monday’s report.

–Field Level Media

ESPN: “Baseball Been Very, Very Bad”

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NEW YORK – (Staff and Wire Service Report) – ESPN and Major League Baseball will no longer be partners following the 2025 season, as the sides agreed to mutually opt out of their broadcast contract Thursday.

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MLB commissioner Rob Manfred sent a memo to clubs that was obtained by The Athletic, in which he confirmed ESPN had asked the league to “reduce the amount (ESPN) pay for MLB content over the remainder of the term.” MLB put that on the record in a statement released Thursday night.

“Unfortunately in recent years, we have seen ESPN scale back their baseball coverage and investment in a way that is not consistent with the sport’s appeal or performance on their platform,” the statement said in part. “Given that MLB provides strong viewership, valuable demographics, and the exclusive right to cover unique events like the Home Run Derby, ESPN’s demand to reduce rights fees is simply unacceptable. As a result, we have mutually agreed to terminate our agreement.

“… The positive energy around the sport has also led to significant interest from both traditional media companies and streaming services who would like to obtain rights to MLB games. We will be exploring those opportunities for a new agreement which would start in the 2026 season following the conclusion of ESPN’s agreement at the end of this year.”

ESPN’s current deal was for seven years and $550 million annually, and featured Sunday Night Baseball, the Home Run Derby and wild-card games. But Apple and Roku have since negotiated slimmer packages of games for less cash.

MLB did not want to renegotiate, and the league felt ESPN wasn’t doing enough to promote baseball on its platforms.

“Furthermore, we have not been pleased with the minimal coverage that MLB has received on ESPN’s platforms over the past several years outside of the actual live game coverage,” Manfred wrote in his memo.

“While ESPN has stated they would like to continue to have MLB on their platform, particularly in light of the upcoming launch of their DTC product, we do not think its beneficial for us to accept a smaller deal to remain on a shrinking platform. In order to best position MLB to optimize our rights going in to our next deal cycle, we believe it is not prudent to devalue our rights with an existing partner but rather to have our marquee regular season games, Home Run Derby and Wild Card playoff round on a new broadcast and/or streaming platform.”

“We are grateful for our longstanding relationship with Major League Baseball and proud of how ESPN’s coverage super-serves fans,” the statement said. “In making this decision, we applied the same discipline and fiscal responsibility that has built ESPN’s industry-leading live events portfolio as we continue to grow our audience across linear, digital and social platforms. As we have been throughout the process, we remain open to exploring new ways to serve MLB fans across our platforms beyond 2025.”

MLB’s other main broadcast partner on linear TV is Fox. Comcast (NBC) and Paramount (CBS) may have interest in working with the league, while Amazon and Netflix are potential streamers to join Apple and Roku as Manfred eyes a larger streaming package for 2028.

–Field Level Media

TL’s Sunday Sports Notes | Nov 24

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By TERRY LYONS, Editor of Digital Sports Desk

BOSTON – Over the course of the year, this column focuses the majority of its effort on sports, covering the what’s new, what’s old, what’s coming, what’s gone. It occasionally drifts away from sports to meet-up with some current event or to toast a new music act while often remembering some of the classic rock artists of our days gone by. In the end, it’s a sports notes column, delivered to your inbox every Saturday night in preparation of your Sunday morning routine – Coffee? Tea, or TL?

As Thanksgiving approaches, it’s only appropriate to pay tribute to the things in sports we should appreciate. This column of thank-yous will concentrate on sports and sports only for a giant thank you and a reminder to those in the industry to not take our sports or our colleagues for granted.

And, most importantly, please don’t take our athletes for granted as they deserve the most thanks for their life-long effort to practice, develop, train for conditioning, perfect their technique and – all the while – be good citizens of our sports world and contribute to make the world a better place. In many instances, that’s called “Giving Back” instead of “Thanks Giving.”

You might remember a thanks to all column from a year ago. Feel free to reference it for old times sake. There might be a few repeats, but hopefully not too many. But, if mentioned in both columns, the athlete or the sport must be doing something right.

It’s our weekend edition of November 24th, and we’re looking forward to this Thursday, November 28, 2024 – Thanksgiving Day in the USA. Let’s stop for a moment and give thanks for what we have in this crazy sports world. Here we go.

Since it’s November 24, let’s give thanks to Dave Bing and Rudy T, both Nov 24ers, and the very best the NBA ever offered to its fans. And, donlt forget Oscar Robertson, born on this date in 1938. The Big O lost his longtime rival, friend and 1960 USA Basketball Olympic Games teammate, Jerry West, this year, so while we’re at it, let’s remember West and give thanks for everything he meant to so many sports fans around the country and the world.

As stinging as a loss that West was to the NBA (logo himself), many of us are still mourning the loss of the great Bill Walton this year. Not only was Walton the very best collegiate basketball player, along with his counterpart Kareem Abdul-Jabbar) leading UCLA, Bill had an impactful NBA career, winning two NBA titles, the most recent, the ’86 Boston Celtics championship when Walton was the Sixth Man of the Year and an un-guardable force inside. Bill was also a dear friend to so many of us and I think of him everyday – twice when I hear “Fire on the Mountain” by Jerry Garcia and the Grateful Dead.

Let’s give thanks to college football and the fact it will have its first 12-team playoff this winter. Thanks to all the great teams over the many years fans have enjoyed the rivalries. Thanks to Michigan and Ohio State, to Alabama and Auburn, to Georgia and LSU. Thanks for The Game – Harvard vs Yale(this weekend’s score: Yalies 34, Harvard 29) Thanks to Ole Miss, USC, UCLA, Oregon, Penn State, and thank God for Notre Dame and all the other great schools fielding college football teams.

While we thank the athletes of Air Force, the Coast Guard and the U.S. Merchant Marine Acdemy, there’s a special thanks to Army vs Navy, coming to Northwest Stadium in Landover, Maryland just 20 days from today, or simply December 14th.

Aside from the Stanley Cup, the Commander in Chief’s Trophy just might be the best in sports in America.

Let’s give thanks for our Cons (Chuck Taylor All-Stars), our adidas superstars with three green bands for the Holy Trinity Titans. Thanks for our Air Jordans, our Reeboks, Under Armours, our New Balance training shoes, and our Puma Clyde model shoes – as much fashion as you can pack in a basketball shoe. Steely Dan might pass along thanks for bad sneakers and a pina colada, but let’s just thanks Walt Clyde Frazier.

Thanks to NBC Boston Sports’ Mike Gorman and NESN’s Jack Edwards for their longtime efforts as respective voices of the Boston Celtics and Boston Bruins. They each retired in the Year 2024 – a good year in sports, thank-you very much.

HERE NOW, THE NOTES: Let’s give thanks to the NBA and Warner Brothers-Discovery-Turner Sports for working out a compromise that will enable NBA fans to see “Inside the NBA” on ABC and ESPN instead of the troubled pre-game and halftime shows of ESPN past. Let’s hope ESPN’s Malika Andrews is worked into the mix for both NBA coverage and general sports coverage and let’s hope ABC moves Jay Bilas into the game analyst spot alongside play-by-play man Mike Breen.

On the parquet, it’s a thanks to Bob Cousy and Tom “Satch” Sanders. … On the ice, it’s thanks to Pasta and Jeremy Swayman, but a sad good-bye to Bs head coach Jim Montgomery who was fired this past week and replaced with Joe Sacco (interim, it said). … On the Sox, welcome aboard to Outfielder Jhostynxon Garcia. … Don’t hold your breath on Soto.

For the Boston-New-England-Route 128-Providence Patriots, it’s a warm Thanksgiving Day wish for rookie QB Drake Maye. Maybe the Patriots need to find 21 other guys?

We’re thankful for better and speedy video challenges. Get the call right. … We’re thankful for Peyton Pritchard and Derrick White of the Celtics, both drafted late in Round 1, (Pritchard, Boston 2020, Rd. 1, Pick 26), (White, San Antonio 2017, Rd. 1, Pick 29).

Thanks to the New York Mets of yesteryear. Sadly, we lost Ed Kranepool this year. He was a fan favorite for every kid who loved the Mets in the ‘62 until June 23, 1970 when he was demoted to the minors – the Tidewater Tides. Kranepool fought his way back to the Mets and the Majors, and played until he was 34 years old in 1979. He holds the record for Most Games Played for the NYM.

Here’s a line of gratitude for some of the other Mets greats. To Ron Swoboda, Tommie Agee, Tom Seaver, Donn Clendenon, Cleon Jones, Jerry Grote, Ed Charles, Gary Gentry and my personal favorite, lefty – should be in the Baseball Hall of Fame – Jerry Koosman. Great memories stem from the names, Cal Koonce, Duffy Dyer, Ron Taylor, and TugMcGraw. Here’s to Managers Gil Hodges and Casey Stengel.

When the Mega Millions Lottery heads north of $300m, there are some “pick your own numbers” to be played.

Mine are:

  • 10 – Frazier
  • 12 – Barnett
  • 19 – Reed
  • 22 – DeBusschere
  • 24 Bradley
  • 15 – The bonus number for both Dick McGuire and Earl “The Pearl” Monroe
The Islanders alternate logo; aka the new Coke of the NHL team

If playing another, which is usually the case

  • 5 – Potvin
  • 9 – Gillies
  • 19 – Trottier
  • 22 – Bossy
  • 31 – Smith
  • 18 – for the Captain, Eddie Westfall

Every now and then, alternate numbers such as No. 23 for Bobby Nystrom, No. 27 for John Tonelli, and maybe a No. 1 for Glenn “Chico” Resch or No. 6 for one of the all-time greats, yet underrated players in Ken Morrow.As a reminder, Morrow was a member of the 1980 “Miracle on Ice” USA Hockey gold medal team, then ran off with four consecutive Stanley Cup championships from the spring of 1980 through 1983. Not a bad stretch.

Butch Goring deserves mention, for sure, but I don’t play his No. 91. Thoughts go back to Germaine Gagnon, Gary Hart, Billy Harris, Lorne Henning, Garry Howatt, and goalkeeper Gerry Desjardins.

TIDBITS: In the “did you know” category of NHL history, DYK that Garry Howatt (then New Jersey Devils) and Mickey Volcan (then Hartford Whalers) are the only two (active) players to officiate an NHL regular season game? The date was January 15, 1983 and a Boston to Hartford snowstorm delayed the assigned officials from making a NJ at Hartford game. The Whalers won the game, 2-1, and Howatt and Volcan were relieved from their duties after the other “real” refs arrived at the Hartford Civic Center.

A bit off my original pledge to keep this on sports, let’s pay tribute to the Allman Brothers Band and two of the great instrumentals of all-time, Jessicaand In Memory of Elizabeth Reed (November 9, 1845 – May 3, 1935). Both were written by ABB guitarist Dickey Betts.

If Thanksgiving is near, it’s time to tune into the Detroit Lions (hosting Da Bears) and Dallas Cowboys (vs NYG) games on TV (along with a Miami at Green Bay tilt in the evening). Although Dallas and Detroit host games every year on Thanksgiving Day, they necver seem to be good/great at the same time. Thinking back, the years with Barry Sanders running for the Lions and Emmitt Smith carrying the ball for the Cowboys were certainly the glory years, complete with John Madden and Pat Summerall calling the games. To the winners went the “TurDucken.” Let’s hope for two of the three games being entertaining and close. Whoever loses the NYG at DAL game will surely pack it in for the remainder of the season.

THIS JEST IN: Pick-up improvement? The NBA is addressing the major problem of the downfall of serious competition at the annual NBA All-Star Weekend. The league is reportedly trying an approach that just might put more intrigue into both the Rookie vs Sophs (Rising Stars) game and the ASG itself. Proposed to the NBA Competition and Rules Committee this week was the outline of a new four-team tournament-style format for this season’s All-Star Game in San Francisco. The league is expected to have two semifinal games played up to 40 points, with the winners advancing to the final match up to 25 points, as reported by NBA television partner ESPN.

“The first-of-its-kind event is expected to serve as a quick-burst competition that resembles pickup games where the winner moves to the championship round in single-elimination play,” said ESPN before any official announcement was made.

Sources told ESPN last week that the NBA was in serious discussions to have three All-Star teams of eight players each and the winner of the Rising Stars game take part in an All-Star Game tournament on Sunday.

Aside from the exciting “Elam Ending” game in Chicago in 2020, the recent games have been lopsided three-point chuck-fests. Last season’s 211-186 blowout by East of West at Indiana was the breaking point.

The tournament style set-up is worth a try.

YOU CAN’T MAKE IT UP: Six years after the fact, but we’ve now got it confirmed that former Titans coach Mike Mularkey is – well – full of malarkey. On a podcast report this week and then on the NFL Network, reporter Ian Rapoport commented on Mularkey’s admission that he played a joke, using Rapaport to report that Mularkey was going to get an extension to his contract. In fact, Mularkey dropped the nugget when he himself was in fear of being canned by the Titans.

“That is not cool,” said Rapoport on NFL Network, recalling the setback of his early career as a major NFL reporter. “That’s not funny. I was a younger reporter back then, and the amount of online hate and ridicule I got because Mike Mularkey thought it would be funny to get back at his old boss. It was not fun.”

In the WWYI’s realm of reporting, it’s usually the reporter who gets the last laugh in these situations. “Never argue with someone who buys ink by the barrel,” is the old political quip, credited to Indiana Congressman Charles Bruce Brownson (1914-1988).

Sports Biz: MNF Sets ESPN Record

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NEW YORK – (Staff and Wire Service Report) – The “Monday Night Football” game between the visiting Buffalo Bills and New York Jets drew more than 22.6 million viewers, the most since ESPN began airing the NFL broadcast in 2006.

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The game featured the much-anticipated Jets debut of quarterback Aaron Rodgers, who exited after tearing his left Achilles tendon on his fourth snap.

Despite Rodgers’ early departure, the Jets beat the Bills 22-16 in overtime on Xavier Gipson’s 65-yard punt return for a touchdown. The Jets announced on Tuesday that Rodgers would miss the rest of the season.

The game, which aired on ESPN, ABC, ESPN2, ESPN+, and ESPN Deportes, broke the network’s record that was set in 2009, when the Green Bay Packers faced their former quarterback Brett Favre and the Minnesota Vikings. That game drew 21.8 million viewers.

The viewership total for this year’s season opener of “Monday Night Football” was up 14 percent from last year’s opener (Denver Broncos vs. Seattle Seahawks) that drew a then-record 19.8 million viewers for a Week 1 Monday night contest.

The breakdown for the Monday viewership included 11.7 million watching on ABC, 9.4 million on ESPN and 1.52 million on ESPN2, which aired the “ManningCast” alternate feed featuring Peyton Manning and Eli Manning.

Sports Business Journal noted that the total MNF viewership this week topped the most recent totals for the College Football Playoff final, the men’s NCAA Tournament final, the Kentucky Derby, the Oscars and the Grammy Awards.

–Field Level Media

SlamBall: Tickets On Sale for Las Vegas

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LAS VEGAS – (Staff Report from Official News Release) – The organizers of SlamBall are selling tickets for 2023 SlamBall League Series 6, which includes 30 sessions over four consecutive weekends beginning on Friday, July 21 (7 p.m. ET / 4 p.m. PT, ESPN). Tickets are now available at https://www.unlvtickets.com/eventInfo/spe/840/slamball with all games held at Cox Pavilion on the campus of University Nevada Las Vegas. Information on playoff tickets will be announced at a later date.

Tickets are priced at $30 for daily general admission, $50 for reserved and $125 for a limited number of VIP tickets, including post-game, on-court experiences with players and coaches.

Each competition day will feature two sessions of three games per session, with four teams battling in each session and all eight teams competing each night. The winners of the first two games of each session will then meet in the Main Event to determine the winner of the session.

SlamBall previously noted that ESPN, ESPN2 and ESPN+ will combine to televise more than 60 hours of regular season action and all playoff games, including the SlamBall Finals as part of an exclusive, two-year national broadcast partnership for the 2023 and 2024 seasons.

“Las Vegas has emerged as a sports mecca, and we take great pride in being a distinctive addition to the city’s thriving sports scene,” said Mason Gordon, SlamBall creator and co-founder. “SlamBall is a sport that truly comes alive when experienced in person. There is simply nothing else comparable. The games are a thrilling display of non-stop, high-speed action from end to end, showcasing the extraordinary athleticism of our players. Being just a few feet away allows you to fully appreciate their remarkable skills. And we designed the schedule to make sure SlamBall fans can witness every team and player every night.”

Opening night will feature a battle between legacy teams MOB, led by Gage Smith (Elizabeth, CO) against the Rumble and its top star Bakari Copeland (Decatur, GA) and legendary Coach Ken Carter. Other games on Opening Night include the Slashers with captain Tony Crosby II (Inglewood, CA.) vs. Lava with Bryce Moragne (Tampa, FL) and Nathaniel Harris (Hammond,IN); Wrath with Christian Gray (Riverside, CA) vs. Gryphons and Justin Holmes (Roseville, CA); and Ozone with Bryan Bell-Anderson (Sarasota, FL) vs. Buzzsaw and Michael Kolawole (Rowlett, TX).

In the ensuing weeks, matchups will be announced several days prior to each week’s sessions, which following opening weekend will be held each Thursday, Friday, Saturday and Sunday through August 13. Each regular season competition date will feature two sessions, with all eight squads taking the court each night.

The full schedule, subject to change, with session start times and TV coverage is as follows:

📺 Regular Season (two sessions per date, all times PT):

• Fri, July 21, 4 p.m., ESPN
• Fri, July 21, 6:30 p.m., ESPN+
• Sat, July 22, 5 p.m., ESPN+
• Sat, July 22, 7:30 p.m., ESPN+
• Sun, July 23, 2:30 p.m., ESPN+
• Sun, July 23, 5 p.m., ESPN+
• Thu, July 27, 5:30 p.m., ESPN+
• Thu, July 27, 8 p.m., ESPN
• Fri, July 28, 5 p.m., ESPN+
• Fri, July 28, 7:30 p.m., ESPN+
• Sat, July 29, 5 p.m., ESPN+
• Sat, July 29, 7:30 p.m., ESPN+
• Sun, July 30, 2:30 p.m., ESPN+
• Sun, July 30, 5 p.m., ESPN+
• Thu, August 3, 5:30 p.m., ESPN+
• Thu, August 3, 8 p.m., ESPN2
• Fri, August 4, 5 p.m., ESPN+
• Fri, August 4, 7:30 p.m., ESPN+
• Sat, August 5, 5 p.m., ESPN+
• Sat, August 5, 7:30 p.m., ESPN+
• Sun, August 6, 2:30 p.m., ESPN+
• Sun, August 6, 5 p.m., ESPN+
• Thu, August 10, 5:30 p.m., ESPN+
• Thu, August 10, 10 a.m., ESPN2
• Fri, August 11, 5 p.m., ESPN+
• Fri, August 11, 7:30 p.m., ESPN+
• Sat, August 12, 5 p.m., ESPN+
• Sat, August 12, 7:30 p.m., ESPN+
• Sun, August 13, 2:30 p.m., ESPN+
• Sun, August 13, 5 p.m., ESPN+

🏆 Playoffs
• Tue, August 15, SlamBall Playoffs, TBD, ESPN+
• Thu, August 17, SlamBall Championship Game, 8 p.m., ESPN2

For more information about SlamBall visit http://www.slamballleague.com.

SlamBall is Back; ESPN OnBoard

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ESPN Platforms to Carry More Than 30 Hours of Live Action in 2023, Starting Opening Night, July 21, from 7 to 9 p.m. ET on ESPN

LAS VEGAS/BRISTOL, Conn – (Staff Report from Official News Release) –

SlamBall is Back and ESPN – the worldwide leader in sports – is onboard for the ride, coming this July.

SlamBall, the fast-paced, gravity-defying sport that combines elements of basketball, football, hockey and trampolines, today announced an exclusive, two-year national broadcast partnership with ESPN for the 2023 and 2024 seasons.

The broadcasting partnership begins on Opening Night, as SlamBall relaunches live action from its home-base in Las Vegas on July 21 from 7-9 p.m. ET.  ESPN, ESPN2 and ESPN+ will combine to air more than 30 hours of live SlamBall programming across five weekends, culminating August 17-19 with the SlamBall Playoffs and SlamBall Championship Game.

All games will be played at Cox Pavilion in Las Vegas, with ticket sales beginning on June 27.

“ESPN’s multi-year commitment to SlamBall is further validation of the enormous appeal and growth potential of our sport,” said SlamBall creator and CEO Mason Gordon. “The level of interest in our hybrid team sport not just in the United States, but across the world, has been beyond our expectations for the 2023 season. It’s clear that this best talent we have had in the sport’s history.”

“Mason and I couldn’t help but respond to the #BringBackSlamBall clamor,” said SlamBall co-founder Mike Tollin. “Live sports dominate the airwaves these days and audiences are looking for the next big thing. It’s a thrill to collaborate with ESPN in bringing this ground-breaking sport back to the world.”

“SlamBall is a league that combines elements of some of our fans’ favorite sports, resulting in a unique game that’s sure to entertain viewers across ESPN’s platforms.” said Ashley O’Connor, Sr. Director, Programming & Acquisitions at ESPN.

The broadcast team, production details, and full broadcast schedule will be announced in the weeks to come.

SlamBall has a long-term partnership with global premium experiences company Legends to provide e-commerce and on-site event retail; global, data-driven partnership strategy and execution; and business intelligence with actionable insights to drive revenue across all areas of the league.

David Levy at Horizon Sports and Experiences is providing additional sponsorship sales support in the 2023 and 2024 seasons.

SlamBall recently closed an $11 million Series A round led by Roger Ehrenberg’s IA Sports Ventures and Eberg Capital (Owner and Advisory Board Member, Miami Marlins, Betr, Simplebet) with participation from strategic investors across sports, gaming, entertainment, and media.

Strategic investors include David Blitzer (Harris Blitzer Sports & Entertainment, Cleveland Guardians, Crystal Palace), David Adelman (76ers, NJ Devils), Michael Rubin (Fanatics), Gary Vaynerchuk (VaynerX, Major League Pickleball), and Blake Griffin (Boston Celtics power forward and six-time NBA All-Star).

Additional investors include: Kevin Nagle (Sacramento Kings), Lloyd Danzig (Sharp Alpha), Legends, Brian Lovell (Red Games), Jesse Sharf (Gibson Dunn), Accelerate Sports, and Eric Manlunas (Wavemaker Partners). Accelerate Sports provided investment banking services for the round.

Originally staged in 1999 by founders Mason Gordon and Mike Tollin, SlamBall is a one-of-a-kind sports and entertainment property with a rich history of success in the United States and in markets around the world.

It is a compelling hybrid combination of the best elements of basketball, football, and ice-hockey, infused with the essence of a video game come to life. The new, enhanced league, which includes partner Tom Penn, founder of LAFC, is set for its full comeback in the summer of 2023. Amid the current resurgence of interest in alternate sports, the hashtag #BringBackSlamBall has garnered more than 200 million views on social media, offering a powerful foundation of fandom for the sport’s revival.

For additional information, visit https://slamballleague.com/