While We’re Young (Ideas) on Indy, Star Wars and More
By TERRY LYONS
BOSTON – I first met Harrison Ford in 1973. He was 31 and I was only 14. He was on the Silver Screen, portraying Bob Falfa in American Graffiti, an incredible hit motion picture directed by a guy named George Lucas and produced by another familiar name in – oh – Francis Ford Coppola. I was sitting in a theatre chair, watching him, Richard Dreyfuss and Ron Howardwhile enjoying the picture and listening to one of the great sound tracks in Hollywood history.
A few years went by, my high school years, and I met-up with Ford again in 1977, except he was going by the name Han Solo in a sci-fi film named, Star Wars. What’a guy!
A few years later, we crossed paths once again. I was graduating from college (‘81) and he had changed his name and was hanging around with Hollywood characters working with Lucas. The new crew were writer Lawrence Kasdan and a new director named Steven Spielberg. They called Ford, “Indy,” as in Indiana Jones, professor of archaeology, and we followed his every move, his every trip in search of “Lost Arks” or to “Temples of Doom” or to battle the Nazi criminals or to India to free enslaved children.
Ford, errr, Indiana Jones, errr, Han Solo (by then, quite a wise-guy) and his new friends would change lives all around the world, teaming up with Mark Hamill (a young adventurer), Carrie Fisher (a princess), and Alec Guinness(wise old man). Add in the fabulous works of composer and conductor of music, John Williams, and it was the perfect formula – a motion picture soundtrack of our lives – some of it always heard in America on the 4th of July. They earned a place in our minds and souls from that Summer of ‘81 until this very day.
Ford had the thrill to go back and forth between the roles of Han Solo and Indiana Jones, and his films grossed some $5.4 billion in North America and $9.3 billion worldwide.
Ole’ Indy, (Ford is now 80 years old), is back for another go round in the summertime release of “Indiana Jones and the Dial of Destiny,” in theaters now and getting very positive reviews.
Ford played other great roles, too. His Jack Ryan in “Patriot Games” and “Clear and Present Danger,” two blockbusters. And, who could forget his role as “Dr. Richard Kimble” in 1993’s “The Fugitive,” or his role as President of the United States in 1997’s “Air Force One?”
This all brings us to the point of this column, usually focused on sports but often on media. TV anchor, reporter and newly crowned host of CNN’s “Who’s Talking to Chris Wallace,” a masterful show of one-on-one interviews being aired weekly on the cable news outlet.
In every instance, the talented media personality formed a team within his/her organization. Just like Han teamed-up with Chewy, his trusty sidekick, and bonded with Princess Leia, Luke Skywalker and his two friendly and trusty droids – R2D2 and C3PO, and they welcomed the input from the likes of Alec Guinness in the role of Obi-Wan Kenobi.
You can compare the team of the motion picture director, producer, casting director, cast and crew to a team in a live sports remote broadcast or to a team competing on the field of play. In each case, you place your trust in your co-worker’s hands and he/she does to you. You rely on your coach, the scouts, the athletic trainer and team doctor and everyone in the front office to help sell some tickets.
It’s much the same when preparing for an interview or shooting a movie.
The Wallace and Ford interview aired about a week ago, in large part of promote the release of the most recent piece of the Indiana Jones saga.
Wallace is not the first TV journalist to do a series of interesting interviews. CBS’ Anthony Mason does a great job on both the evening, morning and weekend news but he excels when he’s digging in deeply with a rock n’ roll, country music or any legendary musician, many previewing the annual Kennedy Awards, aired on CBS.
Last week, Mason had the legendary Paul Simon speaking on his new Seven Psalms and a few years ago, one of Mason’s gems was a sit-down with The Boss, Bruce Springsteen (in a MUST WATCH)..
From CNN’s Mike Wallace interviewing Harrison Ford to CBS’ Anthony Mason sitting down with Mr. “Born in the USA,” Bruce Springsteen, a logical next step might be to recognize Dan Rather and his Big Interview TV Serieson AXS-TV.
The show all other’s are based upon has to be James Tipton, the executive producer and host of Inside the Actor’s Studio on Bravo. Tipton set the bar so very high, all others strive to meet his professionalism, depth, humor and intensity. Born in 1926, Tipton passed away in March, 2020 with reports noting cause of death as bladder cancer. He was 93 years old and in those many years, from radio to TV soaps to his own show, there was no better episode as his interview with singer, songwriter, composer and Long Islander, Billy Joel.
Why all the fuss this week on some of the best journalists to ever interview actors and icons? It’s a simple reminder of how important the media are in our lives. The toxic B.S. of the political theatre has cast the media in such a negative light. We forget about the media in the arts, in religion, in investigative work (see Spotlight) and in sports. If there’s one take-away, it’s to never cast single broad stroke when you’re thinking of or speaking about “the media.”
There are as many different kinds of media as there are breeds of dogs. Some are better than others. Some breeds are smarter, others meaner, while others might be more trustworthy and show more loyalty.
If you’re casting broad strokes at the media – in general – they owe you one thing. The truth.
The problem with that? People lie to your face and tell you it’s the truth, not caring if it’s taped or live airtime.
When it’s not live, every word has to be checked, double-checked and triple-checked. In many ways, the story has two sides and each point-of-view must be sought out.
In the cases cited here – on music – each journalist has earned his stripes and the respect of his peers and his interview subjects, alike. That is the goal to strive for in any realm of the journalism industry, print, online, TV or radio.
HERE NOW, THE NOTES: A new professional hockey league, featuring the world’s best women’s players, will launch in January 2024. … The new league is a venture by business and philanthropic leaders Mark and Kimbra Walter, sports icon Billie Jean King, and Premier Hockey Federation (PHF) Governors Johanna and John Boynton. The league will be supported financially by the Walters and led by board members including King, sports executive Ilana Kloss, and Los Angeles Dodgers President Stan Kasten, one-time head of the Atlanta Hawks and Turner Broadcasting.
The new league acquired assets of the PHF and has spent months negotiating a collective bargaining agreement with the Professional Women’s Hockey Players Association (PWHPA). These actions will enable the new league to move forward while undertaking a thorough and equitable process to ensure it features the best women’s hockey players in the world.
“I have always believed that professional sports should bring the highest levels of performance and organization, and this new league will have the backing and resources it needs to represent the very best of women’s hockey,” said Mark Walter, who is the controlling owner of the Dodgers and the WNBA’s Los Angeles Sparks, co-general partner of the ownership group of the Premier League’s Chelsea Football Club and holder of a significant interest in the NBA’s Los Angeles Lakers.
“This is an extraordinary opportunity to advance women’s sports,” said King. “I have no doubt that this league can capture the imagination of fans and a new generation of players. I want to thank Mark and Kimbra Walter for their vision and commitment to investing in women’s sports.”
“This is another step forward for the women who play professional hockey and the girls who dream of it every day,” Johanna Boynton said. “The PHF has been a game-changer and catalyst for growth in the women’s professional game. This announcement builds on the established foundation, represents a shared vision for one new league, and reaffirms our belief that collective and collaborative leadership is in the best interest of women’s professional hockey.”
“I celebrate this transformational moment for women’s professional hockey,” said Kasten, who represented the Walters in both transactions. “I thank Jayna Hefford, Kendall Coyne Schofield and the PWHPA player bargaining committee, Johanna and John Boynton and their partners at the PHF, and PHF Commissioner Reagan Carey for their essential roles in this historic accomplishment.”
“This new league will be unlike anything we’ve seen in women’s hockey,” said Hockey Hall of Famer and PWHPA lead, Jayna Hefford. “I am inspired by this generation of players who are redefining the sport. We will create dreams and opportunities for girls and women around the world for decades to come.”
Although the Boston Pride competed in the prior pro hockey league, there’s been no mention on whether they will continue to be a local sports franchise or will fold.
 |
SLAMBALL ART: SlamBall, the fast-paced that combines elements of basketball, football, hockey and trampolines, revealed its eight team names, logos, coaches and seven-man rosters for the league’s upcoming season. The mix of standout athletes with basketball, football and track backgrounds will be led by veteran coaching staffs in SlamBall League: Series 6, opening on ESPN July 21 at Cox Pavilion in Las Vegas. … Three legacy teams – the Mob, Rumble and Slashers – will be joined by five new clubs, namely the Buzzsaw, Gryphons, Lava, Ozone and Wrath. Each squad is guided by a former SlamBall player or coach, including Ken Carter, the inspiration for the acclaimed film Coach Carter, who is back with the Rumble, the team that he led to a championship in the initial 2002 SlamBall campaign.
When we look at top picks like Bryce and Bryan, they represent high level basketball talent and high caliber football talent coming together in SlamBall, where basketball and football cultures collide,” said Mason Gordon, the Co-Founder of SlamBall. “We were incredibly gratified to see that on draft night.”
The SlamBall league and team logos and color schemes were designed by Gameplan Creative, the Chicago-based branding team headed by Tom O’that has been instrumental in creating designs for a host of teams, leagues and organizations, including the WNBA and eight of its teams and the Naismith Basketball Hall of Fame.
“The team names and logos are a nod to our history, with the Mob, Rumble and Slashers mirroring the original franchises, and also a reflection of the sport’s exciting future,” added Gordon.
SlamBall recently announced an exclusive, two-year national broadcast partnership with ESPN for the 2023 and 2024 seasons. The partnership begins on Opening Night 2023, when SlamBall relaunches on ESPN live from Las Vegas on July 21 from 7-99pm (ET) ESPN, ESPN2 and ESPN+ will combine to air more than 30 hours of live SlamBall programming across five weekends, culminating August 17-19 with the SlamBall Playoffs and SlamBall Championship Game.
For a full Sunday Note column, Visit “While We’re Young (Ideas) and consider becoming a paying subscriber to help fund Digital Sports Desk.